Justin Murphy

Brings a tear to my minds me of my parents when they moved here. Similar to movie called 'My Name is Joe. Look it up. I love Ken loach films but they depressing to watch and I suffer from depression.I shouldn't watch them I know. While the tories get a free home and expenses ?. If this is an accurate portrayal of the employees of the benefits offices It seems they scrape the bottom of sewers to find the staff. I saw a preview of this film at HOME in Manchester on 1st October. Yet again Ken Loch and scriptwriter Paul Laverty have told the kind of story about working class life that nobody else thinks important enough to tell.

It follows a family with the conventional ambition of wanting to buy their own house. But for this they need to earn more. The husband Ricky buys into what he thinks is an opportunity to become self employed as a delivery driver and be his own boss. But he asks his wife Abby to make a sacrifice to enable him to afford his own van and this reduces her own scope for getting work. He soon finds that the opportuity is really a trap. He has entered the gig economy where there is no guarantee of work, people who take sick leave get fined, and the delivery company drives its staff into the ground in order to stay ahead in a cut throat world of competition with its competitors. The relentless nature of the work has a damaging effect on the family's relationships. There is no happy ending - what Ken Loach film ever has one. but there is nothing predictable in the story and the dramatic pace doesn't flag. As he often does, the director has used new actors and at a few points early on in the film their lack of experience jars just a little. But overall the performances are convincing. The film makers clearly did their research into the gig economy and its vicious and ultimately unsustainable working environment, and what happens to the family in the story is completely believable, and disturbing. My main criticism is that, in Ken Loach's most recent films, none of his characters show any agency. It would have been heartening, just for once if his characters had shown some of the initiative of the real life Deliveroo and Uber drivers, who formed workplace unions and wrung fairer treatment and conditions out of their employers.

Watch Full Length ç?å??æ??å??è?äº?e.v. Watch Full Length ã?ã?ã?ªã??ã?ça se passe.

Wilful murder, starvation abject poverty and homelessness. That's exactly what the Tories and those within the DWP are doing to innocent British people. Love Ken Loach films but he is not telling us/showing us anything new. There is a great economic don't say? Poor are screwed, everyone wants to screw film makers. Loach, Scorsese and Copola telling us superhero movies are despicable & not cinema Of course they are cinema. They are the escapism that so many people need from the reality they reality Loach profits form by making films about them.
Can I just say, I work for part of a similar organisation here in Australia and some of my colleagues, specifically one has the worst views and has no empathy at all. When homeless people come in he calls them scum under his breath and takes out air freshener and sprays it for everyone to see. He thinks people actually choose to be homeless. He said it to my face once. It's a disgusting attitude and I'm currently looking for another job because I cannot stand to be around someone with an attitude like that. Also, people with attitudes like that should not be working in jobs that deal with vulnerable people. We are all doing the best we can in life and part of our job is to make one another's lives easier, not harder and I just don't understand people who go out of their way to make life harder for people. It's really upsetting. Anyway, peace to you all. End of rant.
What a stupid film. The dimwit goes for a 14k van and makes his wife sell her car when a 2k van would be more than acceptable. No wonder they have financial troubles when he makes idiot decisions like this. Watch Full Length ç?å??æ??å??è?äº?e r. The clients lol, the customer is always right. Holy moley... You have just painted the story of my life for the past 22 years. Watch Full Length ç?å??æ??å??è?äº?e r e.
Watch Full Length ç?å??æ??å??è?äº?e.e. Anyone remembers the soundtrack? I have heard it, can't recall it. I'm ashamed. that the Anglican Church, church of England, has recently invested in Amazon! Shame on them. LOVE LOVE LOVE Ken Loach films. Reality. Big surplus this month in the government coffers apparently. Wonder where that money will go? Maybe they will assist with food bank donations or kids school uniform vouchers or feminine sanitory products or haircuts for people whove managed to secure a job interview or pairs of safety boots for lads who have site jobs but only if they provide their own boots or hgv driver training for people out of work who would like to go for the thousands of driving jobs out there due to a driver shortage? government dont give a fuck about putting something back to help those at the bottom. If you want to do a driving course but dont have a few thousand saved forget it. But then if everyone got jobs the government would recoup their outlay because those workers are then paying tax. Its all so short sighted and the systems fucked up.
They are bullies at the job centre. Does anyone else not feel like slapping that smug job coach in the film. Watch Full Length ç?å??æ??å??è?äº?e.k. Watch Full Length ç?å??æ??å??è?äº?e.u. I stopped buying from Amazon in 2012, after I realised that the prices they were selling products at was too cheap for the workers to be treated fairly. Just yesterday, I paid 10 extra to buy from Waterstones. When you get free or cheap deliveries from Amazon, this is what you are causing.
The care industry needs a good overhaul - live-in carers are expected to work 14 - 16 hours a day (and often have their sleep interrupted too) and some agencies pay as little as 65 a day - before tax. Many jobs stretch on for weeks with only a 2 hour break a day IF you are lucky. Domicilary care is even worse - it would be so much better if everyone just cut the agencies out as they are taking the lions share of the money for doing absolutely nothing, and that is driving up the cost of care, but the carer is not getting a fair share. Some of us know how I, Daniel Blake ended so don't expect some fairy tale ending here. I got teary-eyed during the scene about the key. ? And if you're having doubts about having kids/family and have an average income go see this movie. ?.
I love you Ken Loach. More champagne socialist propaganda. Watch Full Length ç?å??æ??å??è?äº?e.o. Watch Full Length ã?ã?ã?ªã??ã?ça marche. Define work ? A hunger job when you have to eat from food banks to keep alive ? Where exploitative predatory bosses deliberately keep your wages so low that you have to rely on taxpayer benefits to subsidise their profits. Watch Full Length åæ??ã??æ??ã??à la page. Making me emotional. ESA are bigger swindlers then bankers,MP's and bent lawyers put together. One of the best movies 2019 but I know it wont get its recognition.
Critic’s Pick In this Ken Loach film, a British family that’s barely getting by faces the peril that is the gig economy. Credit... Zeitgeist Films Sorry We Missed You NYT Critic's Pick Directed by Ken Loach Drama 1h 41m I’ll never forget the pleading that goes on in “Sorry We Missed You. ” It’s desperate but futile. Life goes on, they say. So does the global marketplace. If you order a shower curtain or diapers or a new phone, you probably need it yesterday. Ken Loach’s brutally moving agitprop drama demands a thought be spared for the anonymous souls who drop this stuff off. That shower curtain might be the death of them. It’s an easy movie at first. Ricky Turner (Kris Hitchen) has done blue-collar labor all his life. Now he’s through with bosses breathing down his neck, so he takes a job as an owner-driver for a third-party delivery company out of Newcastle in northern England. (The title refers to those door tags you get when a package needs a signature and you’re not home. ) Gig-economy freedom appeals to him. But anybody watching Ricky natter on about blissful independence, in these opening scenes, can already sense the bad news rising ? maybe even before his new not-boss, a big bruiser named Maloney (Ross Brewster), tells him, “Like everything around here, it’s your choice. ” First of all, Ricky has no van to transport the parcels. A new one costs about $18, 000, and he doesn’t have that kind of money, not even for the $1, 200 down payment. When he strong-arms his wife, Abby (Debbie Honeywood), into selling the family car that she also depends on for her own job taking care of the disabled, elderly and infirm, you feel the movie starting down a track that will, at some point, make you get angry, then consider terminating your Amazon Prime membership. Except this is a Loach movie, and along with being one of Earth’s most venerable and venerated directors, he’s almost without peer as a filmmaker formidably committed to exposing the sins of our wages. For six decades, his film and television work ? “ Kes, ” “ Riff-Raff, ” Ladybird, Ladybird, ” “My Name Is Joe, ” “ Looking for Eric, ” “ I, Daniel Blake ” ? has looked at regular working folks and, often, what that work costs them. He knows you’re unlikely to cancel anything. But he damn sure wants you to think long and hard about that next one-click buy. Paul Laverty has written many of Loach’s scripts, including this one. He’s attuned to seeding problems early so that they sprout distress later. Abby’s employment becomes as central to the drama as Ricky’s. With the car sold, she has to take the bus, and like her husband, she works for a subcontractor that has no evident concern for her humanity, let alone that of the clients whom she treats with maximal warmth and heroic empathy. She, too, works long, difficult hours and has to manage her family and her clients on the fly. Her title is care worker; the marvel of Honeywood’s performance is how to heart she’s taken the term. The Turners have two kids, a teen angel named Liza Jane (Katie Proctor) and an older, adolescent punk called Seb (Rhys Stone), whose rebellious street art compounds the household stress and jeopardizes Ricky’s ability to meet his relentless delivery quotas. Loach knows how to direct actors to appear true, to be capable of surprise. Stone, for instance, is acting his surname, but there’s something soft and knowing in this guy that’s always absorbingly present. And Hitchen sees to it that Ricky’s delusions, stubbornness and iffy decision-making never tip into stupidity. He’s peevish, slack-jawed, a little rascally. He loves his family and his football team (Man U, not Newcastle, as one appalled parcel recipient observes). The acting here smooths out the blocky, talky, implausibly ruminative aspects of Laverty’s writing. Like, when Ricky and Abby lay awake and discuss their troubles. There’s a tidiness to that scene that feels more screenplay than natural intimacy. Still, you believe this family. You believe in them. There are also all kinds of meaningful, seemingly disposable, smart details. The film contains, for instance, one of the movies’ more moral arguments for the up- and downsides of advanced communication: Abby’s life would shatter without her phone; Seb’s psyche shatters without his. For everything to go right with this family, not one thing can go remotely wrong. No one can afford to get sick, attend an unscheduled school meeting, miss a bus, be robbed. It’s all too precarious, which is to say it’s all too real. Watching the Turners, I thought about the scam the Kim family pulls in Bong Joon Ho’s “Parasite” and how that film ingeniously reconsiders class warfare as nightmare farce. Both movies become tragedies, but Bong’s feels like an allegory where Loach’s feels like activism. They’re both thinking large and minutely. But globalism’s faceless grind couldn’t be more local, more personal than it is in “Sorry We Missed You. ” The movie’s as pungent as “Parasite” but with none of the comic frills, none of Bong’s cinematic fashion. It’s closer, actually, to that astounding documentary about the Macedonian beekeepers, “ Honeyland. ” There’s no way for Loach to have gone smaller. When the movie’s over, you have, indeed, witnessed a tragedy, just not the usual kind. Nobody dies. No one goes to prison (there is one police-station visit unlike any I’ve seen). But life: that’s the tragedy, what it takes to get by, what it takes be just a little bit happy ? for one lousy meal. The stakes of the film are simultaneously huge and small. The Turners don’t need much. Some stability; a steady income, of course; more time would be a dream. Really, though, the most precious thing they have is each other. But there’s no time for that because then there’d be no money. Sorry We Missed You Not rated. Running time: 1 hour 41 minutes.
So articulated. skills. No one blames is the policies that led to those immigrants that we blame and as a consequence companies like Amazon take advantage of the huge oversupply of labour. It's so real that i didn't feel anyone acting and that is the point i lived with them as i was there it's very spontaneous as a documentary

they suffer in silence but not that much suffering like cancer movies or they have even a normal life, they don't have time even to think of options they are trying their best in the rats wheel like everybody do, they were informed by modern education that hard and work is the best way to earn honoring bread however the more filthy you are the more money you make.

Paul Laverty always reminds me of a Catholic priest who decided to become a Buddhist. UK is a third rate country for working people. They should overthrow their ruling class. it's the 17th C again. Watch Full Length 然後我們跳了解更. Sorry We Missed You is a 2019 British-French-Belgian drama film directed by Ken?Loach, written by Paul?Laverty and produced by Rebecca?O'Brien. [3] [4] Principal?photography began in September 2018 in the Newcastle area in north-east England. [5] [3] [4] It was selected to compete for the Palme?d'Or at the 2019?Cannes?Film?Festival. [6] Despite having a broken arm in a sling, Loach appeared to promote the film at Cannes, where he said that it would be his final film to compete at the festival. [7] At the 10th?Magritte?Awards, Sorry We Missed You received the Magritte?Award?for?Best?Foreign?Film?in?Coproduction. [8] Plot Ricky (Kris Hitchen) and his family have been fighting an uphill struggle against debt since the 2008?financial?crash. Ricky, who has no education or professional training, is given an opportunity when he is hired to run a franchise as a self-employed delivery driver under the supervision of the tough Maloney. In order to afford a van for the job, Ricky convinces his wife Abbie (who uses the car in her work as a home?care?nurse) to sell the family car. The stress of the new job proves too be great for Ricky. He is always under pressure to make his deliveries in time and is fined if he is late or makes mistakes. Abbie also finds her work much more demanding without a car and frequently feels upset by the lack of time she is allowed to spend with her patients due to her demanding schedule. The stress of both Ricky and Abbie is greatly increased by their son Seb (Rhys Stone) who both skips school and often gets into trouble with graffiti. After an argument, Seb tags over the family portraits during the night. The next morning Ricky can't find the keys to his van and blames Seb. Seb denies any wrongdoing and in the ensuing argument, Ricky hits Seb. His daughter Liza Jane (Katie Proctor) later tearfully admits that she hid the keys as she blames Ricky's new job for the family's problems. Back at work, Ricky is robbed and brutally assaulted while making his deliveries. While Ricky is in the waiting room at hospital, Maloney phones him and explains that he is facing fines of over £1, 000 as his scanner was destroyed during the robbery. After the assault, Seb finally warms up and re-joins the family. The film ends as Ricky drives off to work, still greatly injured and in tears as his family beg him to not leave. Cast Kris Hitchen as Ricky Turner Debbie Honeywood as Abbie Turner Rhys Stone as Seb Turner Katie Proctor as Liza Jane Turner Ross Brewster as Maloney Charlie Richmond as Henry Julian Ions as Freddie Sheila Dunkerley as Rosie Maxie Peters as Robert Christopher John Slater as Ben Heather Wood as Mollie Alberto Dumba as Harpoon Natalia Stonebanks as Roz Jordan Collard as Dodge Dave Turner as Magpie Stephen Clegg as Policeman Darren Jones as Council worker Nikki Marshall as Traffic warden Linda E Greenwood as Driver Linda Wright as A&E receptionist Reception On Rotten?Tomatoes, the film holds an approval rating of 87% based on 117 reviews, with an average rating of 7. 61/10. The site's critical consensus reads " Sorry We Missed You may strike some as tending toward the righteously didactic, but director Ken Loach's passionate approach remains effective. " [9] Metacritic, which uses a weighted average, assigned the film a score of 83 out of 100, based on 26 critics, indicating "universal acclaim". [10] David Rooney in The?Hollywood?Reporter wrote that the film "is an expertly judged and profoundly humane movie, made without frills or fuss but startlingly direct in its emotional depiction of the tough stuff that is the fiber of so many ordinary lives. " [11] Peter?Bradshaw in The?Guardian believed it was superior to Loach's previous film I,?Daniel?Blake (2016), which won the Palme?d'Or at Cannes. [12] [13] Bradshaw wrote: "it is more dramatically varied and digested, with more light and shade in its narrative progress and more for the cast to do collectively. I was hit in the solar?plexus by this movie, wiped out by the simple honesty and integrity of the performances. " [12] The review in The?Times praised the performance of newcomer Debbie Honeywood as Abbie, who was cast after a talent search of non-professionals. Contributor Kevin Maher believed the film should have concentrated on her character instead of Ricky, Abbie's husband. [14] Geoffrey Macnab wrote in The?Independent that Loach's film "captures brilliantly the alienation and existential anguish that its main characters feel. There is nothing they can do to help themselves. The more they fight to change their circumstances, the worse those circumstances become. " [15] Macnab commented that Loach and his screenwriter Laverty "pursue their story to its logical conclusion, ending the film in a way that is both ingenious and devastating. " [15] Owen?Gleiberman of Variety writes: "Loach stages all of this with supreme confidence and flow" leading to "a fraught, touching, and galvanizing movie. " [13] Raphael Abrahams, in his review for the Financial?Times, states: "In the end credits he [Loach] gives thanks to those drivers whose testimony informed the film but who wished to remain anonymous. He is their much-needed voice and remains that of our moral conscience. " [16] Trevor Johnston of British film publication Sight?&?Sound wrote "While Sorry We Missed You may not be as sentimentally affecting as [ I, Daniel Blake], it delivers a more nuanced, troubling and provocative state-of-the-nation address. As such, it’s surely among Loach and Laverty’s most sinewy efforts. " [17] References ^ "Sorry?We?Missed?You". Box?Office?Mojo. IMDb. Retrieved 13 March 2020. ^ "Sorry?We?Missed?You". The?Numbers. Retrieved 13 March 2020. ^ a b Wiseman, Andreas (11 September 2018). "Ken?Loach?Begins?Shoot?On?Drama?'Sorry?We?Missed?You',?eOne?To?Release?in?UK".. Retrieved 12 September 2018. ^ a b "Ken?Loach's?'Sorry?We?Missed?You'?begins?shoot,?eOne?to?release?in?UK".. Retrieved 12 September 2018. ^ Mitchell, Robert (11 September 2018). "New?Ken?Loach?Film,?'Sorry?We?Missed?You, '?Picked?Up?by?eOne?for?U. K. " Variet. Retrieved 12 September 2018. ^ "Cannes?festival?2019:?full?list?of?films". The Guardian. Retrieved 18 April 2019. ^ Sight and Sound, Volume 29 (Issue 7), July 2019, page 25 ^ Dricot, Lucy (1 February 2020). "Découvrez?le?palmarès?complet?de?la?10e?cérémonie?des?Magritte?du?cinéma" (in French). RTBF. Retrieved 1 February 2020. ^ "Sorry?We?Missed?You?(2020)". Rotten?Tomatoes. Fandango?Media. Retrieved 14 March 2020. ^ "Sorry?We?Missed?You?Reviews". Metacritic. CBS?Interactive. Retrieved 14 March 2020. ^ Rooney, David (16 May 2019). " ' Sorry?We?Missed?You':?Film?Review?(Cannes?2019)". The Hollywood Reporter. Retrieved 17 May 2019. ^ a b Bradshaw, Peter (16 May 2019). "Sorry?We?Missed?You?review???Ken?Loach's?superb?swipe?at?zero-hours?Britain". Retrieved 17 May 2019. ^ a b Gleiberman, Owen (16 May 2019). "Cannes?Film?Review:?Ken?Loach's?'Sorry?We?Missed?You ' ". Variety. Retrieved 17 May 2019. ^ Maher, Kevin (17 May 2019). "Review:?Sorry?We?Missed?You?at?the?Cannes?Film?Festival". The Times. Retrieved 17 May 2019. (subscription required) ^ a b Macnab, Geoffrey (17 May 2019). "Sorry?We?Missed?You,?Cannes?2019,?review:?Ken?Loach?makes?everyday?problems?seem?the?stuff?of?epic?drama". The Independent. Retrieved 17 May 2019. ^ Abrahams, Raphael (17 May 2019). "Cannes:?Ken?Loach's?Sorry?We?Missed?You???a?piercing?drama?about?a?zero-hours-contract?driver". Financial Times. Retrieved 17 May 2019. ^ Johnston, Trevor (31 October 2019). "Sorry?We?Missed?You?review:?Ken?Loach?counts?the?cost?of?striving?in?austerity?Britain". Sight & Sound. Retrieved 11 November 2019. External links Official?website Sorry?We?Missed?You on IMDb This page was last edited on 13 April 2020, at 06:01.
Im afraid this is the state of the nation its gut wrenching trying your hardest to just look after your family under serious stress the system is floored its frightening. And it only seems to get worse the disparity between rich and is getting wider, Paul Laverty says it as it truly is, and Ken Loach directs again for the plight of the working man, Paul Laverty and Ken Loach are the type of human beings we need to run this decaying Country. Sorry We Missed You Film poster Directed by Ken Loach Produced by Rebecca O'Brien Written by Paul Laverty Starring Kris Hitchen Debbie Honeywood Rhys Stone Katie Proctor Music by George Fenton Cinematography Robbie Ryan Edited by Jonathan Morris Production company Sixteen Films BBC Films BE TV BFI Film Fund Canal+ Ciné+ France 2 Cinéma France Télévisions Les Films du Fleuve VOO Why Not Productions Wild Bunch Distributed by Le Pacte (France) Cinéart (Belgium) Entertainment One (United Kingdom) Release date 16?May?2019 ( Cannes) 23?October?2019 (France) 30?October?2019 (Belgium) 1?November?2019 (United Kingdom) Running time 100 minutes Country United Kingdom France Belgium Language English Box office $8. 5 million [1] [2] Sorry We Missed You is a 2019 British-French-Belgian drama film directed by Ken Loach, written by Paul Laverty and produced by Rebecca O'Brien. [3] [4] Principal photography began in September 2018 in the Newcastle area in north-east England. [5] [3] [4] It was selected to compete for the Palme d'Or at the 2019 Cannes Film Festival. [6] Despite having a broken arm in a sling, Loach appeared to promote the film at Cannes, where he said that it would be his final film to compete at the festival. [7] At the 10th Magritte Awards, Sorry We Missed You received the Magritte Award for Best Foreign Film in Coproduction. [8] Plot [ edit] Ricky (Kris Hitchen) and his family have been fighting an uphill struggle against debt since the 2008 financial crash. Ricky, who has no education or professional training, is given an opportunity when he is hired to run a franchise as a self-employed delivery driver under the supervision of the tough Maloney. In order to afford a van for the job, Ricky convinces his wife Abbie (who uses the car in her work as a home care nurse) to sell the family car. The stress of the new job proves too be great for Ricky. He is always under pressure to make his deliveries in time and is fined if he is late or makes mistakes. Abbie also finds her work much more demanding without a car and frequently feels upset by the lack of time she is allowed to spend with her patients due to her demanding schedule. The stress of both Ricky and Abbie is greatly increased by their son Seb (Rhys Stone) who both skips school and often gets into trouble with graffiti. After an argument, Seb tags over the family portraits during the night. The next morning Ricky can't find the keys to his van and blames Seb. Seb denies any wrongdoing and in the ensuing argument, Ricky hits Seb. His daughter Liza Jane (Katie Proctor) later tearfully admits that she hid the keys as she blames Ricky's new job for the family's problems. Back at work, Ricky is robbed and brutally assaulted while making his deliveries. While Ricky is in the waiting room at hospital, Maloney phones him and explains that he is facing fines of over £1, 000 as his scanner was destroyed during the robbery. After the assault, Seb finally warms up and re-joins the family. The film ends as Ricky drives off to work, still greatly injured and in tears as his family beg him to not leave. Cast [ edit] Kris Hitchen as Ricky Turner Debbie Honeywood as Abbie Turner Rhys Stone as Seb Turner Katie Proctor as Liza Jane Turner Ross Brewster as Maloney Charlie Richmond as Henry Julian Ions as Freddie Sheila Dunkerley as Rosie Maxie Peters as Robert Christopher John Slater as Ben Heather Wood as Mollie Alberto Dumba as Harpoon Natalia Stonebanks as Roz Jordan Collard as Dodge Dave Turner as Magpie Stephen Clegg as Policeman Darren Jones as Council worker Nikki Marshall as Traffic warden Linda E Greenwood as Driver Linda Wright as A&E receptionist Reception [ edit] On Rotten Tomatoes, the film holds an approval rating of 87% based on 117 reviews, with an average rating of 7. 61/10. The site's critical consensus reads " Sorry We Missed You may strike some as tending toward the righteously didactic, but director Ken Loach's passionate approach remains effective. " [9] Metacritic, which uses a weighted average, assigned the film a score of 83 out of 100, based on 26 critics, indicating "universal acclaim". [10] David Rooney in The Hollywood Reporter wrote that the film "is an expertly judged and profoundly humane movie, made without frills or fuss but startlingly direct in its emotional depiction of the tough stuff that is the fiber of so many ordinary lives. " [11] Peter Bradshaw in The Guardian believed it was superior to Loach's previous film I, Daniel Blake (2016), which won the Palme d'Or at Cannes. [12] [13] Bradshaw wrote: "it is more dramatically varied and digested, with more light and shade in its narrative progress and more for the cast to do collectively. I was hit in the solar plexus by this movie, wiped out by the simple honesty and integrity of the performances. " [12] The review in The Times praised the performance of newcomer Debbie Honeywood as Abbie, who was cast after a talent search of non-professionals. Contributor Kevin Maher believed the film should have concentrated on her character instead of Ricky, Abbie's husband. [14] Geoffrey Macnab wrote in The Independent that Loach's film "captures brilliantly the alienation and existential anguish that its main characters feel. There is nothing they can do to help themselves. The more they fight to change their circumstances, the worse those circumstances become. " [15] Macnab commented that Loach and his screenwriter Laverty "pursue their story to its logical conclusion, ending the film in a way that is both ingenious and devastating. " [15] Owen Gleiberman of Variety writes: "Loach stages all of this with supreme confidence and flow" leading to "a fraught, touching, and galvanizing movie. " [13] Raphael Abrahams, in his review for the Financial Times, states: "In the end credits he [Loach] gives thanks to those drivers whose testimony informed the film but who wished to remain anonymous. He is their much-needed voice and remains that of our moral conscience. " [16] Trevor Johnston of British film publication Sight & Sound wrote "While Sorry We Missed You may not be as sentimentally affecting as [ I, Daniel Blake], it delivers a more nuanced, troubling and provocative state-of-the-nation address. As such, it’s surely among Loach and Laverty’s most sinewy efforts. " [17] References [ edit] ^ "Sorry We Missed You". Box Office Mojo. IMDb. Retrieved 13 March 2020. ^ "Sorry We Missed You". The Numbers. Retrieved 13 March 2020. ^ a b Wiseman, Andreas (11 September 2018). "Ken Loach Begins Shoot On Drama 'Sorry We Missed You', eOne To Release in UK".. Retrieved 12 September 2018. ^ a b "Ken Loach's 'Sorry We Missed You' begins shoot, eOne to release in UK".. Retrieved 12 September 2018. ^ Mitchell, Robert (11 September 2018). "New Ken Loach Film, 'Sorry We Missed You, ' Picked Up by eOne for U. K. " Variet. Retrieved 12 September 2018. ^ "Cannes festival 2019: full list of films". The Guardian. Retrieved 18 April 2019. ^ Sight and Sound, Volume 29 (Issue 7), July 2019, page 25 ^ Dricot, Lucy (1 February 2020). "Découvrez le palmarès complet de la 10e cérémonie des Magritte du cinéma" (in French). RTBF. Retrieved 1 February 2020. ^ "Sorry We Missed You (2020)". Rotten Tomatoes. Fandango Media. Retrieved 14 March 2020. ^ "Sorry We Missed You Reviews". Metacritic. CBS Interactive. Retrieved 14 March 2020. ^ Rooney, David (16 May 2019). " ' Sorry We Missed You': Film Review (Cannes 2019)". The Hollywood Reporter. Retrieved 17 May 2019. ^ a b Bradshaw, Peter (16 May 2019). "Sorry We Missed You review ? Ken Loach's superb swipe at zero-hours Britain". Retrieved 17 May 2019. ^ a b Gleiberman, Owen (16 May 2019). "Cannes Film Review: Ken Loach's 'Sorry We Missed You ' ". Variety. Retrieved 17 May 2019. ^ Maher, Kevin (17 May 2019). "Review: Sorry We Missed You at the Cannes Film Festival". The Times. Retrieved 17 May 2019. (subscription required) ^ a b Macnab, Geoffrey (17 May 2019). "Sorry We Missed You, Cannes 2019, review: Ken Loach makes everyday problems seem the stuff of epic drama". The Independent. Retrieved 17 May 2019. ^ Abrahams, Raphael (17 May 2019). "Cannes: Ken Loach's Sorry We Missed You ? a piercing drama about a zero-hours-contract driver". Financial Times. Retrieved 17 May 2019. ^ Johnston, Trevor (31 October 2019). "Sorry We Missed You review: Ken Loach counts the cost of striving in austerity Britain". Sight & Sound. Retrieved 11 November 2019. External links [ edit] Official website Sorry We Missed You on IMDb.
Paul Laverty nails it down so nicely... Excellent interview... No words for the film. possibly one of the best again from Ken Loach... This man is a legend... Visionstream.

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