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Drama / score 21091 vote / Countries USA / Brian Duffield / directed by William Eubank / release Year 2020. The jonas brothers were right ? we really do live underwater. Preston: comment if you believe in me. Me: I believe i can fly Also me: Crashes into wall. Beautiful. I think this is Katniss Everdeen after the game. Underwater effect. Underwater forest.
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This article is about the 2020 science fiction film. For the 1955 adventure film starring Jane Russell, see Underwater! Underwater Theatrical release poster Directed by William Eubank Produced by Peter Chernin Tonia Davis Jenno Topping Written by Brian Duffield Adam Cozad Starring Kristen Stewart Vincent Cassel Jessica Henwick John Gallagher Jr. Mamoudou Athie T. J. Miller Music by Marco Beltrami Brandon Roberts Cinematography Bojan Bazelli Edited by Todd E. Miller Brian Berdan William Hoy Production companies Chernin Entertainment Distributed by 20th Century Fox Release date January?10,?2020 (United States) Running time 95 minutes Country United States Language English Budget $50 million [1] [2] Box office $40. 8 million [3] Underwater is a 2020 American science fiction horror film directed by William Eubank and written by Brian Duffield and Adam Cozad. The film is produced by Chernin Entertainment and stars Kristen Stewart, Vincent Cassel, Jessica Henwick, John Gallagher Jr., Mamoudou Athie, and T. Miller. [4] It follows a group of scientists at the bottom of the ocean who encounter a group of creatures after an earthquake destroys their laboratory. Underwater was released in the United States on January 10, 2020, by 20th Century Fox. The film received mixed reviews from critics and grossed $40 million worldwide against a reported budget of $50-80 million, making it a box office bomb. It is the last film released under the 20th Century Fox name, before the name was changed to 20th Century Studios by Disney, after their acquisition of Fox and its assets. [5] Plot [ edit] Kepler 822, a research and drilling facility operated by Tian Industries at the bottom of the Mariana Trench, is struck by a strong earthquake. As part of the facility is destroyed by the quake, mechanical engineer Norah Price and her colleagues, Rodrigo and Paul, make their way to the escape pod bay. However, the three discover that all of the escape pods have already been deployed, with Captain Lucien being the only person in the area when the three arrive. Together they reach a control base and find biologist Emily Haversham and engineer Liam Smith, who are unsuccessful in their attempts to make contact with the surface. Lucien suggests using pressurized suits to walk one mile across the ocean floor to Roebuck 641 in the hope of resurfacing from there. As they descend in a freight elevator, Rodrigo’s defective helmet implodes under the water pressure. The surviving crew see a distress beacon from one of the escape pods below, and Smith and Paul go to investigate. As they arrive at the location, they find a body in the rubble. A creature emerges from the corpse's back and attacks. Smith kills the creature and takes it inside. Haversham examines the creature and realizes that it belongs to a previously undiscovered species. The five make their way to Roebuck, but as they are walking, Kepler explodes and nearly buries them in debris. Smith is hit, but Price and Lucien save him. They manage to get through an access tunnel to an intermediate station, where they can charge and clean their suits. However, they find that Smith's oxygen scrubber is badly damaged from the debris. On their way through the access tunnel, Paul is attacked by an unknown creature, dragged underwater and killed. Before the team leaves the access tunnel, they find that Smith's damaged oxygen pod will cause him to suffocate from the explosion's toxic fumes. Unwilling to leave another crew member behind, Price, Lucien and Haversham agree to help Smith walk. The four set off across the ocean floor, but a humanoid creature appears and drags Smith into a cave. Lucien manages to get Smith out, but is himself pulled from the other three. Price is dragged along with Lucien, but Lucien sacrifices himself to spare Price from the increasing pressure change. Price ends up at the abandoned Sheppard station and is able to change her damaged diving suit before continuing toward Roebuck. Walking along the ocean floor, she reunites with Haversham and Smith, and proceeds to help drag Smith. As they enter Roebuck, they encounter a nest of the humanoid creatures hanging from the ceiling and try to sneak by, but the sound of Haversham's oxygen alarm wakes the creatures. Price is partially swallowed by one of the creatures but is able to kill it and free herself. The three are able to reach the escape pod bay, but Price discovers that only two of the pods work. Price and Haversham manage to get the ailing Smith into a pod, and Price persuades Haversham to take the last one. As this happens, a gigantic creature emerges and attacks the Roebuck while the smaller creatures follow the two escape pods. Price, aware of her impending death, increases the energy levels of the core engines so that they explode, killing the creatures and allowing the escape pods to reach the surface. Tian Industries attempts to cover up the incident and keeps Haversham and Smith's testimonies classified. The company goes on to say that they intend to expand their drilling efforts. Cast [ edit] Kristen Stewart as Norah Price Vincent Cassel as Captain Lucien T. Miller as Paul Abel Jessica Henwick as Emily Haversham John Gallagher Jr. as Liam Smith Mamoudou Athie as Rodrigo Nagenda Gunner Wright as Lee Miller Production [ edit] On February 22, 2017, it was announced that Kristen Stewart would star in Underwater, a film to be directed by William Eubank from a screenplay by Brian Duffield and Adam Cozad. It was revealed that principal production would commence the next month. [6] On March 7, 2017, T. Miller and Jessica Henwick joined the cast, and principal production was set to commence later that month in New Orleans. [7] On April 5, 2017, during principal production, Vincent Cassel and Mamoudou Athie joined the cast, [8] and the next day, John Gallagher Jr. was also added. [9] In May 2017, following the end of filming for the film, it was revealed that Gunner Wright was also part of the cast. [10] After shooting the film, the director decided to design the alpha creature based on H. P. Lovecraft 's Cthulhu. [11] Release [ edit] Underwater was released in the United States on January 10, 2020. [12] The film was the last Fox film to be released under the 20th Century Fox name, before its new owner, The Walt Disney Company, changed the name of the studio to 20th Century Studios. [13] Reception [ edit] Box office [ edit] As of March?3, 2020, Underwater has grossed $17. 3 million in the United States and Canada, and $23. 5 million in other territories, for a worldwide total of $40. 8 million. [3] In the United States and Canada, Underwater was released alongside Like a Boss and the expansions of Just Mercy and 1917, and was projected to gross around $8 million in its opening weekend. [14] [2] The film made $2. 7 million on its first day, including $500, 000 from Thursday night previews. It went on to debut to $7 million, finishing seventh at the box office. [1] The film fell 48% in its second weekend to $3. 6 million (and $4. 8 million over the four-day Martin Luther King Jr. Day holiday), finishing eleventh. [15] Critical response [ edit] On review aggregator website Rotten Tomatoes, the film holds an approval rating of 46% based on 189 reviews, with an average rating of 5. 17/10. The site's critical consensus reads, " Underwater ' s strong cast and stylish direction aren't enough to distract from the strong sense of déjà vu provoked by this claustrophobic thriller's derivative story. " [16] On Metacritic, the film has a weighted average score of 49 out of 100 based on 35 critics, indicating "mixed or average reviews. " [17] Audiences polled by CinemaScore gave the film an average grade of "C" on an A+ to F scale, and PostTrak reported it received an average 2 out of 5 stars, with 35% of people saying they would definitely recommend it. [1] References [ edit] ^ a b c D'Alessandro, Anthony (January 10, 2020). " ' 1917' Strong With $36M+, But 'Like A Boss' & 'Just Mercy' Fighting Over 4th With $10M; Why Kristen Stewart's 'Underwater' Went Kerplunk With $7M". Deadline Hollywood. Retrieved January 10, 2020. ^ a b Rubin, Rebecca (January 7, 2020). "Will '1917' Get Box Office Boost After Golden Globes Wins? ". Variety. Retrieved January 8, 2020. ^ a b "Underwater (2020)". Box Office Mojo. IMDb. Retrieved March 4, 2020. ^ McNary, Dave (February 22, 2017). "Kristen Stewart in Talks to Star in Adventure-Thriller 'Underwater ' ". Retrieved July 10, 2017. ^ Vary, Adam (January 17, 2020). "Disney Drops Fox Name, Will Rebrand as 20th Century Studios, Searchlight Pictures". Retrieved January 17, 2020. ^ Busch, Anita (February 22, 2017). "Kristen Stewart In Final Negotiations To Star In Fox Movie 'Underwater ' ". Retrieved July 10, 2017. ^ McNary, Dave (March 7, 2017). "T. Miller, Jessica Henwick Join Kristen Stewart in Thriller 'Underwater ' ". Retrieved July 10, 2017. ^ Ford, Rebecca (May 4, 2017). "Vincent Cassel, 'Get Down' Star Mamoudou Athie Join 'Underwater ' ". The Hollywood Reporter. Retrieved July 10, 2017. ^ N'Duka, Amanda (April 6, 2017). "John Gallagher Jr. Boards Fox's 'Underwater'; Dwayne Cameron Joins '#211 ' ". Retrieved July 10, 2017. ^ Wakeman, Gregory (May 22, 2017). Miller Compares Underwater To Two Classic James Cameron Films". CinemaBlend. Retrieved July 10, 2017. ^ Squires, John (January 17, 2020). "[Spoilers] 'Underwater' Director Confirms That You Saw What You Thought You Saw in the Final Act". Bloody Disgusting!. ^ D'Alessandro, Anthony (May 7, 2019). "Disney-Fox Updates Release Schedule: Sets Three Untitled 'Star Wars' Movies, 'New Mutants' Heads To 2020, 'Ad Astra' To Open Fall & More". Retrieved May 7, 2019. ^ D'Alessandro, Anthony (January 6, 2020). " ' 1917' Advance Ticket Sales Already Fired Up From Golden Globe Wins As Sam Mendes Pic Sees $25M Opening". Retrieved January 7, 2020. ^ Anthony D'Alessandro (January 19, 2020). " ' Bad Boys For Life' So Great With $100M+ Worldwide; 'Dolittle' St
Kristen Stewart is lean, intense and taciturn in this aquatic “Alien” attempt. But the movie is more boring than horrific. Credit... Alan Markfield/Twentieth Century Fox Underwater Directed by William Eubank Action, Drama, Horror, Mystery, Thriller PG-13 1h 35m Early on in this mercifully short horror picture, a crew member ? one of a handful trapped nearly seven miles beneath the ocean in a collapsing futuristic oil rig ? wrests from the sea an aggressive, super-gnarly-looking creature, which he brings to show the gang. “Oh no, ” a viewer might think, “you never bring the gnarly-looking thing back on the ship. Has no one in this movie seen ‘Alien? ’” Maybe, maybe not, but it doesn’t matter, as the thing doesn’t get to do much in that moment. Welcome to the world of “Underwater, ” a movie whose own sea legs are so wobbly, you’re never quite sure whether that weak fake-out was even deliberate. Directed by William Eubank from a script by Brian Duffield and Adam Cozad, it tries to establish some “Alien”-of-the-deep bona fides with its lead, Kristen Stewart, being lean, taciturn and intense in the opening scene. Stewart may well be as consequential a screen actress as Sigourney Weaver, but dreck like this isn’t going to build a comparable filmography. The crew member who finds the gnarly thing is played by T. J. Miller. The film wrapped before his brush with the law. While this may have contributed to the movie’s long shelving, Miller’s hardly the only problem here. It’s a challenge to keep action coherent and build suspense in the submerged environment simulated in “Underwater, ” but Eubank doesn’t meet it, instead falling back on stale shocks that are not credibly buttressed by swelling bass effects on the soundtrack. And the final form of the menacing sea creature is in its way as laughable as the carpet monster in the 1964 cinematic mishap “The Creeping Terror. ” Underwater Rated PG-13 for gnarly looking things and bass-boosted shock scares. Running time: 1 hour 35 minutes.
Preferred partners otc. January 7, 2020 10:00PM PT Kristen Stewart battles an alien of the deep in a waterlogged thriller that can't come up with one original variation on the movies it's ripping off. Before technology took over the movies, a cruddy sci-fi action thriller often looked just as bad as it played. No longer. “ Underwater, ” a deep-sea knockoff of “Alien” set on a corporate research rig seven miles beneath the surface of the ocean, has been made with the kind of lavish atmospheric precision that, 30 years ago, you’d have been hard-pressed to find outside a movie directed by James Cameron. Now, though, even a dregs-of-January throwaway will get slathered in the kind of grand-scale murk and logistical explosiveness that’s meant to excite us, even if the story it’s telling is rudderless junk. Well, guess what? It doesn’t excite us. “ Underwater ” is a stupefying entertainment in which every claustrophobic space and apocalyptic crash of water registers as a slick visual trigger, yet it’s all built on top of a dramatic void. It’s boredom in Sensurround. The film opens with its grabbiest visual effect, which is Kristen Stewart ’s hair. It’s been dyed a whiter shade of blonde and cropped so prison-camp short that it’s beyond anything that pretends to look fetching; but that’s what’s supposed to make it cool. Stewart plays Norah, a mechanical engineer who is one of a team of researchers living in an undersea station that consists of long modular passageways that appear as flimsy as an oversize doll’s house. Early on, when water starts crashing through the walls in the wave equivalent of bullet-time, turning the place into a science-lab Titanic that’s already sunk, we experience every jolt and surge, the joints of the structure creaking with a pressure so intense it sounds otherworldly (and, in fact, is). The scale of destruction is undeniably impressive, yet the film already feels waterlogged. Norah, teaming up with Rodrigo (Mamoudou Athie), escapes the deluge, and they join forces with half a dozen coworkers from the collapsing facility, all under the leadership of the mission’s captain, played by the Picasso-eyed French character actor Vincent Cassel, who like everyone else in the film has a barely written role, so that even his surly charisma is wasted. The captain comes up with a Hail Mary plan: They will walk along the bottom of the ocean to reach the project’s Roebuck drill station, where they can take shelter and get to the surface. The plan, as laid out, holds very little water, dramatically or as a plausible survival option ? it’s just an excuse to get everyone to put on deep-sea diving suits as chunky as refrigerators, and to kill time until the monsters show up. The days when acting in a film like “Underwater” could dim your star belong to the past. Yet watching it, you still think: What’s an actress as classy as Kristen Stewart doing in a potboiler like this? Yes, it’s important to demonstrate you’ve got the right commercial attitude, but when you take on the lead in a movie so listlessly derivative, it tends to be a lose-lose situation, creatively and at the box office. In “Underwater, ” Stewart locks herself in terse anxiety mode and never deviates from it. She’s an actress who needs a good script to tap her verbal sharpness, but it’s clear that someone convinced her that “Underwater” would give her the chance to be “just like” Sigourney Weaver’s Ripley (right down to the anti-movie-star coif). But when you’re “just like” a character who’s that iconic, you’re really nowhere at all. A scene with a darting pink undersea alien fetus is truly unfortunate. Does the film really want to be this much of a carbon copy of “Alien, ” given that it’s a thousand times less scary? At the same time, the director, William Eubank, seems to be taking cues from “The Meg, ” going for the “size matters” school of monster-jawed menace. The main creature in “Underwater” suggests a jellyfish the size of a Macy’s Thanksgiving Day Parade balloon, with rows of teeth that are like something out of “The Nun. ” It’s a beast that looks like it could eat an entire underwater station in one bite, even as it’s taking nibbles out of a talented actress’s career. Quibi has canceled its red carpet launch event “out of an abundance of caution” amid the growing threat of the spread of coronavirus, or COVID-19. The celebration was set for April 5, just a day before the much-anticipated mobile streaming service, led by Jeffrey Katzenberg and former eBay CEO Meg Whitman, goes live on April [... ] The German Film and Television Academy Berlin (DFFB), one of Germany’s most prestigious film schools, has sacked its British director, Ben Gibson, following an incident during the Berlin Film Festival in which he exposed his backside to a female student during a heated argument. The academy’s board of trustees on Friday voted to dismiss Gibson, [... ] SAG-AFTRA has suspended all in-person union meetings to help stop the spread of coronavirus. The union announced the move on Monday as part of “social-distancing tactics to help reduce the possibility of potential exposure or transmission through travel and attendance at face-to-face meetings. ” The initiative was announced in an email sent to the 160, 000 SAG-AFTRA [... ] FILM FESTIVALS Social network-educational site Stage 32 will offer SXSW filmmakers a showcase for their projects beginning in April. The site made the announcement on Monday, three days after the film festival was canceled due to concerns about the coronavirus epidemic. Filmmakers and content creators accepted into SXSW 2020 are welcome to submit their pics [... ] The Korean box office hit rock bottom this weekend due to coronavirus that is fast spreading in the country. According to KOBIS, the box-office tracking service operated by the Korean Film Council, the country’s box office managed some 230, 803 ticket sales between Saturday and Sunday. That is lower than the previous weekend’s 285, 663 admissions and [... ] Vertical Entertainment has picked up U. S. and U. K. rights to Andrea Dorfman’s comedy “Spinster, ” starring “Brooklyn Nine-Nine’s” Chelsea Peretti. The film makes its U. premiere today in the Cinema 360 section at the Miami Film Festival. Toronto-based Game Theory Films has Canadian rights. “Spinster” follows Peretti’s character Gaby who, unceremoniously dumped on her 40th birthday, [... ] Leading European festivals, film academies and funders have called for the freedom of Iranian film director Mohammad Rasoulof. Rasoulof was last week summoned to serve a one-year prison sentence in Iran three days after his film “There is No Evil” won the Berlin Film Festival’s Golden Bear, according to his lawyer and a report by [... ].
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Underwater. Underwater 7. Underwater metal detector. Joel: The Theme is Underwater... Me: Ariel Lizzie: Builds An Underwater Ariel Me: Knew it. Underwater cleaning service. CGI: am I a joke to you? Underwater: Yes. Carnivale Woke looks depressing. Dragon Kingdom is where it's at! A must see for any fan of Harry Potter and Game of Thrones! sarcasm. I was gone on a ski trip last night and I just finished the other video of this and now this lol. 3:28 this is wheird. Kristen Stewart and Vincent Cassel headline this derivative but effective ’blast of monster mayhem’ ‘Underwater’ Dir: William Eubank. US. 2019. 95mins. Those fearful of drowning, tight spaces or derivate horror movies will probably want to steer clear of Underwater, a shallow but effective blast of monster mayhem. Kristen Stewart ably plays a steely engineer fighting to stay alive on a deep-sea rig imperilled by nasty aquatic creatures, while director William Eubank freely pillages from the first two Alien films, The Abyss and Gravity for taut scares. Underwater is hampered by some of the genre’s silliest conventions ? questionable character motivations, delusions of grandeur ? but the movie nonetheless succeeds by capitalising on an elemental terror: underwater, it’s very hard to see the dangers right in front of you. A funhouse of primal fears and obvious cinematic referencing Opening January 10 in the US and February 7 in the UK, the movie will hope to harness Stewart’s commercial clout, although last year’s disappointing Charlie’s Angels (currently $59 million worldwide) suggests that the actress can only pull so much by herself. Vincent Cassel, playing the ship’s grizzled captain, has his own following, but word of mouth will be key, for better or worse. Norah (Stewart) works as part of a drilling operation taking place seven miles below the ocean’s surface. After a freak accident cripples the rig, leaving only a handful of survivors, she and her remaining crewmembers realise that the cause of the disturbance was some sort of ferocious beast that isn’t happy to have these humans in its watery home. Eubank ( The Signal) does nothing to hide Underwater ’s influences, offering a funhouse of primal fears and obvious cinematic referencing. The film isn’t even remotely original, but Eubank, cinematographer Bojan Bazelli and his three editors create a consistently nerve-racking experience, starting off with a gripping sequence in which Norah must act quickly to keep herself alive during the rig explosion. From there, Brian Duffield and Adam Cozad’s pithy script maps out a familiar scenario ? Norah and the other survivors undergo a harrowing odyssey to reach an abandoned outpost where they might be able to radio for help ? and then unleashes all types of horrors, killing off one ensemble player after another. Underwater does a solid job emphasising the constant terror surrounding Norah. Not only are these crew-members stuck deep under the ocean, their oxygen running short, but they must journey through murky waters to their destination, rarely able to see far in front of them. This allows Eubank to repeatedly shock Norah and the audience with what’s just out of view, which makes the jump scares a little more organic than in most second-tier horror movies. In fact, not until the end do we get a decent idea of what these carnivorous critters look like beyond their rows of jagged teeth and icky tentacles. To be sure, the characters are cardboard, and the supporting cast rarely rises above dull competency. (The low-water mark is TJ Miller, insufferable as the strained comic relief, reliably doling out lame wisecracks in every situation. ) But Jessica Henwick is a worthy sidekick to Stewart, playing a grad student who finds untapped heroism during this ordeal.. And Cassel does project a certain amount of weary gravitas, his character hiding melancholy secrets that will be revealed in predictable fashion When Underwater aspires to be anything more than B-movie escapism, it largely misfires. An attempt to flesh out Norah’s backstory adds little, and the story’s occasional nods to environmental woes ? look what happens when humanity messes with Mother Nature ? come across as half-hearted. And yet, Stewart’s committed performance somewhat sells the film’s pretensions. Norah is such a no-nonsense figure that she grounds this well-worn material. (And unlike some of Norah’s colleagues, she never does anything stupid, which leads to their inevitable, grisly deaths. ) Eubank adeptly dramatises the sweaty claustrophobia inside the rig ? that sense that these characters are trapped under an unfathomable amount of water ? and composers Marco Beltrami and Brandon Roberts create a mood of giddy sci-fi horror. And although there are plenty of loud scares in Underwater, Eubank also makes room for some judicious silence, letting the slow crack of the glass in a crewmember’s helmet send shivers of anguish through a viewer. This film owes a massive debt to better movies that came before, but Stewart and company tread water proficiently enough. Production company: Chernin Entertainment Worldwide distribution: Disney Producers: Peter Chernin, Jenno Topping, Tonia Davis Screenplay: Brian Duffield and Adam Cozad, story by Brian Duffield Production design: Naaman Marshall Editing: Todd E. Miller, Brian Berdan, William Hoy Cinematography: Bojan Bazelli Music: Marco Beltrami, Brandon Roberts Main cast: Kristen Stewart, Vincent Cassel, Jessica Henwick, John Gallagher Jr., Mamoudou Athie, T. J. Miller.
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