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1¡ØPossessão e Procissão: Religiosidade Popular no Brazil¡Ùorganizaçao, Hirochika Nakamaki, Américo Pellegrini Filho
2¡ØFive Hundred Buddhist Deities¡Ùcompiled by Musashi Tachikawa, Masahide Mori, Shinobu Yamaguch
3¡Ø¥È¥ë¥°¡¼¥È¡¦¥â¥ó¥´¥ë: ¥Û¥Ü¥¯¥µ¥¤¥ëÃÏ°è¤Î½¸ÃĤòÃæ¿´¤Ë¡ÙGalina Zoubko
4¡ØDictionnaire peul-francais¡Ùeditado por Hiroyasu Tomoeda y Luis Millones
5¡ØLa Tradicion Andina en Tiempos Modernos¡ÙÀÐÌÓľƻÊÔ
6¡Ø¹ñΩ̱²³ØÇîʪ´Û¢: ¼ÄÅÄÅý»ñÎÁÌÜÏ¿¡¡Êä°ä¡ÙÍ̳¤±Ñ
7¡Ø¡Ö¶â½ñ¡×¸¦µæ¤Ø¤Î½øÀâ¡Ù¼þãÀ¸, ÄÍÅÄÀ¿Ç·ÊÔ
8¡ØÃæ¹ñ¤Ë¤ª¤±¤ë½ô̱²¤Îʸ²½ÊÑÍƤÈ̱²´Ö´Ø·¸¤ÎÆ°ÂÖ¡Ùeditado por Luis Millones, Hiroyasu Tomoeda, Tatsuhiro Fujii
9¡ØHistoria, religion y ritual de los pueblos ayacuchanos¡ÙÀп¹½¨»°, ÎÓ·®ÃËÊÔ
10¡Ø¥¸¥ç¡¼¥¸¡¦¥Ö¥é¥¦¥ó¡¦¥³¥ì¥¯¥·¥ç¥ó¤Î¸¦µæ¡ÙL. Qurc̆aba¦Ãatur Solong¦Ãod
11¡Ø¥Á¥ó¥®¥¹¡¦¥Ï¡¼¥óº×ã«: ¨¡ ¥ª¥ë¥É¥¹¡¦¥â¥ó¥´¥ë¤Î¼çºÅ¤¹¤ë·³¿À¥¹¥¥¥ë¥Ç¤ÈȬɴµÜ¤Îº×㫵·Îé ¨¡¡Ùedited by Tenzin Namdak, Yasuhiko Nagano, Musashi Tachikawa
12¡ØMandalas of the Bon Religion: Bon Studies 1¡ÙPamela J. Stewart and Andrew Strathern
13¡ØSpeaking for Life and Death: Warfare and Compensation among the Duna of Papua New Guinea¡ÙÄ«ÁÒÉÒÉ×ÊÔ
14¡ØÆüËܤˤª¤±¤ë´Ú¹ñʸ²½¤Îɽ¾Ý¡Ùedited by Samten G. Karmay, Yasuhiko Nagano
15¡ØNew Horizons in Bon Studies: Bon Studies 2¡Ùü¿®¹ÔÊÔ
16¡Ø¿·¤·¤¤Å¸¼¨µ»Ë¡¤Î³«È¯¤È»Ò¤É¤â¤ÈÇîʪ´Û¤Î¥³¥ß¥å¥Ë¥±¡¼¥·¥ç¥ó¤Ë´Ø¤¹¤ë¸¦µæ¡ÙUdo B. Barkmann
17¡ØLANDNUTZUNG UND HISTORISCHE RAHMENBEDINGUNGEN IN DER AUSSEREN MONGOLEI / MONGOLISCHEN VOLKSREPUBLIK (1691-¡Ùeditado por Luis Millones, Hiroyasu Tomoeda, Tatsuhiko Fujii
18¡ØDesde afuera y desde adentro: Ensayos de etnografia e historia del Cuzco y Apurimac¡Ùedited by Yasuhiko Nagano, Randy J. LaPolla
19¡ØNew Research on Zhangzhung and Related Himalayan Languages: Bon Studies 3¡Ù²£»³×¢»ÒÊÔ
20¡ØÃæ¹ñ¤Ë¤ª¤±¤ë̱²ʸ²½¤ÎÆ°Â֤ȹñ²È¤ò¤á¤°¤ë¿ÍÎà³ØŪ¸¦µæ¡ÙÀп¹½¨»°, À¾»³ÆÁÌÀÊÔ
21¡Ø¥Ø¥ê¥Æ¡¼¥¸¡¦¥Ä¡¼¥ê¥º¥à¤ÎÁí¹çŪ¸¦µæ¡Ùedited by Yoshitaka Terada
22¡ØTranscending Boundaries : Asian Musics in North America¡ÙÀп¹½¨»°, ¿¿Èľ¼É×ÊÔ
23¡Ø¥¨¥³¥Ä¡¼¥ê¥º¥à¤ÎÁí¹çŪ¸¦µæ¡Ùedited by Samten G. Karmay, Yasuhiko Nagano
24¡ØA Catalogue of the New Collection of Bonpo Katen Texts: Bon Studies 4¡Ùedited by Samten G. Karmay, Yasuhiko Nagano
25¡ØA Catalogue of the New Collection of Bonpo Katen Texts ¨¡ Indices: Bon Studies 5 ¡ÚSER 24¤È25¤ÎPDF¥Õ¥¡¥¤¥ë¡ÙÃæËÒ¹°°ôÊÔ
26¡ØÆüÊƶ¦ºÅ¤ÎŸ¼¨¤Ë¤ª¤±¤ë³Ø½¬¥×¥í¥°¥é¥à¤È¥Ü¥é¥ó¥Æ¥£¥¢³èÆ°¡ÙPaul Kazuhisa Eguchi
27¡ØNdaa Biy Marva'en The Narrative of a Giziga Pastor¡Ùedited by Shigeharu Sugita et al.
28¡ØGlobal Digital Museum (GDM) for Museum Education on the Internet¡ÙSam-Ang Sam
29¡ØMusical Instruments of Cambodia¡Ù»§¿Î³ÊÆüðÕ, ¾®Ä¹Ã«Í­µª
30¡ØÀij¤¾Ê¥â¥ó¥´¥ë²̱¯ʸ²½¤Ë¤ª¤±¤ë»ñÎÁ¤È¤½¤Î²ò¼á: ¥Ê¥¹¥È¥Ë¡¼¡¦¥¸¥ë¡¦¥¢¥ë¥Û¡¼¥é¥Ï¡¦¥Ð¥ä¥ë¤ò»öÎã¤Ë¡Ù¿ùËÜÎÉÃËÊÔ
31¡ØÊ¡²»¤ÈʸÌÀ²½¤Î¿ÍÎà³ØŪ¸¦µæ¡Ù[edited by] Samten G. Karmay, Yasuhiko Nagano
32¡ØThe Call of the Blue Cuckoo: An Anthology of Nine Bonpo Texts on Myths and Rituals: Bon Studies 6¡Ùº´¡¹ÌÚ»ËϺÊÔ
33¡ØÀè»Ë¼íÎĺν¸Ê¸²½¸¦µæ¤Î¿·¤·¤¤»ëÌî¡Ùº´¡¹ÌÚ»ËϺÊÔ
34¡Ø³«¤«¤ì¤¿·Ï¤È¤·¤Æ¤Î¼íÎĺν¸¼Ò²ñ¡ÙÂ翹¹¯¹¨ÊÔ
35¡Ø¥Þ¥ë¥Á¥á¥Ç¥£¥¢¤Ë¤è¤ë̱²³Ø¡Ù±àÅÄľ»ÒÊÔ
36¡Ø¹çÀ®ÁǺà¤ÈÇîʪ´Û»ñÎÁ¡ÙÀп¹½¨»°, °ÂÊ¡·ÃÈþ»ÒÊÔ
37¡Ø´Ñ¸÷¤È¥¸¥§¥ó¥À¡¼¡Ùedited by Samten G. Karmay et al.
38¡ØA Survey of Bonpo Monasteries and Temples in Tibet and the Himalaya: Bon Studies 7¡Ùºê»³ÍýÊÔ
39¡Ø¾ÃÌÇ¤Î´íµ¡¤ËÉΤ·¤¿¸À¸ì¤Î¸¦µæ¤Î¸½¾õ¤È²ÝÂê¡Ùedited by Dan Martin et al.
40¡ØA Catalogue of the Bon Kanjur: Bon Studies 8¡Ù¾®Ä¹Ã«Í­µªÊÔ
41¡Ø¥â¥ó¥´¥ë¹ñ¤Ë¤ª¤±¤ë20À¤µª: ¼Ò²ñ¼çµÁ¤òÀ¸¤­¤¿¿Í¤Ó¤È¤Î¾Ú¸À¡Ù§Ù§à§ç§Ú§à§Ø §ï§Þ§ç§ï§ä§Ô§ï§ã§ï§ß §ª. §­§ç§Ñ§Ô§Ó§Ñ§ãү§â§ï§ß
42¡ØThe Twentieth Century in Mongolia: Interviews About the Way to Socialism¡Ùeditado por Luis Millones, Hiroyasu Tomoeda, Tatsuhiko Fujii
43¡ØTradición popular: Arte y religión de los pueblos del norte del Perú¡ÙÄ«ÁÒÉÒÉ×, Îӻ˼ù, ¶â¹áÍèÊÔ
44¡Ø2002ǯ¥½¥¦¥ë¥¹¥¿¥¤¥ë ¨¡ ¸¦µæ¤ÈŸ¼¨¤Îɾ²Á ¨¡¡Ù¹¾¸ý°ìµ×
45¡ØËÌÉô¥«¥á¥ë¡¼¥ó¡¦¥Õ¥ë¥Ù²¤Î̱´ÖÀâÏÃ: ¥¢¡¼¥À¥Þ¡¼¥ïÃÏÊý¤È¥Ù¥Ì¥¨ÃÏÊý¤ÎÏáٴ߾忭·¼ÊÔ
46¡Ø³¤Íλñ¸»¤ÎÍøÍѤȴÉÍý¤Ë´Ø¤¹¤ë¿ÍÎà³ØŪ¸¦µæ¡ÙRobert Garfias
47¡ØMusic: the Cultural Context¡ÙTakashi Irimoto
48¡ØThe Eternal Cycle: Ecology, Worldview and Ritual of Reindeer Herders of Northern Kamchatka¡Ùedited by Peter J. Matthews, Jun Akamine
49¡ØResearch Writing in Japan: Cultural, Personal and Practical Perspectives¡Ù²£»³×¢»ÒÊÔ
50¡Ø¾¯¿ô̱²¤Îʸ²½¤È¼Ò²ñ¤ÎÆ°ÂÖ: ¨¡Å쥢¥¸¥¢¤«¤é¤Î»ëÅÀ¨¡¡ÙÀ¾»³ÆÁÌÀÊÔ
51¡Øʸ²½°ä»º¥Þ¥Í¥¸¥á¥ó¥È¤È¥Ä¡¼¥ê¥º¥à¤Î¸½¾õ¤È²ÝÂê¡Ù§¹§å§ß§Ö§â §®. §´§Ñ§Ü§ã§Ñ§Þ§Ú ; §â§Ö§Õ§Ñ§Ü§ä§à§â §á§â§à§Ö§Ü§ä§Ñ §³§Ú§â§à §³§Ñ§ã§Ñ§Ü§Ú
52¡Ø§¬§å§Ý§î§ä§å§â§ß§à§Ö §ß§Ñ§ã§Ý§Ö§Õ§Ú§Ö §ß§Ú§Ó§ç§à§Ó¡Ù±àÅÄľ»Ò, ¹ñΩ̱²³ØÇîʪ´ÛÊÔ
53¡Ø¹ñΩ̱²³ØÇîʪ´Û¹ñºÝ¥·¥ó¥Ý¥¸¥¦¥à: ¡Ö»æ¤Î¼ãÊÖ¤ê¤ò¹Í¤¨¤ë¡×¡Ùedited by Yukiya Kawaguchi, Kenji Yoshida
54¡ØSYMPOSIUM AFRICA 2001: Representing African Art and Cultures¡Ù´ØͺÆó, ÌÚ¼½¨ÍºÊÔ
55¡ØÆ£°æζɧ¶µ¼øÂà´±µ­Ç°¥·¥ó¥Ý¥¸¥¦¥àÊó¹ð½ñ: ¡ÖÎò»Ë¤Î»³Ì®¨¡ÆüËܿͤˤè¤ë¥¢¥ó¥Ç¥¹¸¦µæ¤Î²ó¸Ü¤ÈŸ˾¨¡¡×¡Ù¿¹ÌгÙͺÊÔ
56¡Ø¹ñΩ̱²³ØÇîʪ´Û¤ò³èÍѤ·¤¿°Ûʸ²½Íý²ò¶µ°é¤Î¥×¥í¥°¥é¥à³«È¯¡ÙSamten G. Karmay
57¡ØFeast of the Morning Light (Bon Studies 9)¡ÙÏÂÅÄÀµÊ¿, ¹¾¸ý°ìµ× ; ¿Í´Öʸ²½¸¦µæµ¡¹½¹ñΩ̱²³ØÇîʪ´ÛÊÔ½¸
58¡Ø¥¬¡¼¥ÊÅìÉô½£¡¢¥¹¥Õ¥à¡¦¥Ç¥£¥¹¥È¥ê¥¯¥È¤Ë¤ª¤±¤ë°åÎŤȿ©À¸³è¤Ë´Ø¤¹¤ë¼ÂÂÖÄ´ººÊó¹ð¡ÙÀÐÀîÜÆµÈ ; ¿Í´Öʸ²½¸¦µæµ¡¹½¹ñΩ̱²³ØÇîʪ´ÛÊÔ½¸
59¡Ø¥¯¥Ã¥¯»þÂå¤Î¥Ý¥ê¥Í¥·¥¢¨¡Ì±Â²³ØŪ¸¦µæ¨¡¡Ùedited by Tenpa Yungdrung et al.
60¡ØBonpo Thangkas from Khyungpo: Bon Studies 10¡ÙÀ¾»³ÆÁÌÀÊÔ
61¡Øʸ²½°ä»º¥Þ¥Í¥¸¥á¥ó¥È¤È¥Ä¡¼¥ê¥º¥à¤Î»ý³²Äǽ¤Ê´Ø·¸¹½Ãۤ˴ؤ¹¤ë¸¦µæ¡Ù¿ùËÜÎÉÃËÊÔ
62¡Ø¥­¥ê¥¹¥È¶µ¤ÈʸÌÀ²½¤Î¿ÍÎà³ØŪ¸¦µæ¡ÙÄÍÅÄÀ¿Ç·ÊÔ
63¡ØÃæ¹ñ¡¦ÅìÆ¥¸¥¢ÂçΦÉô¤Î¹ñ¶­ÃÏ°è¤Ë¤ª¤±¤ë½ô̱²ʸ²½¤ÎÆ°ÂÖ¡Ù¾±»ÊÇî»Ë, ¶âÈþÁ±ÊÔ
64¡Ø¿̱²ÆüËܤΤߤ»¤«¤¿ ¡½ÆÃÊÌŸ¡Ö¿¤ß¤ó¤¾¤¯¥Ë¥Û¥ó¡×¤ò¤á¤°¤Ã¤Æ¡Ùedited by Yoshitaka Terada
65¡ØAuthenticity and Cultural Identity¡Ý Performing Arts in Southeast Asia¡Ù§¡.§¥. §³§Ú§Þ§å§Ü§à§Ó ; §ã§à§ã§ä§Ñ§Ó§Ú§ä§Ö§Ý§Ú §À§Ü§Ú §¬§à§ß§Ñ§Ô§Ñ§ñ, §³§Ñ§ß§Ø§Ñ§Ñ§ã§å§â§ï§ß§Ô§Ú§Û§ß §¢§Ñ§ñ§â§Ñ§Ñ, §ª§é§Ú§ß§ç§à§â§Ý§à§à§Ô§Ú§Û§ß §­§ç§Ñ§Ô§Ó§Ñ§ã§å§â§ï§ß
66¡Ø§´§â§å§Õ§í §° §®§°§¯§¤§°§­§ª§ª §ª §Õ§Ý§ñ §®§°§¯§¤§°§­§ª§ª §´§à§Þ 1¡Ù§¡.§¥. §³§Ú§Þ§å§Ü§à§Ó ; §ã§à§ã§ä§Ñ§Ó§Ú§ä§Ö§Ý§Ú §À§Ü§Ú §¬§à§ß§Ñ§Ô§Ñ§ñ, §³§Ñ§ß§Ø§Ñ§Ñ§ã§å§â§ï§ß§Ô§Ú§Û§ß §¢§Ñ§ñ§â§Ñ§Ñ, §ª§é§Ú§ß§ç§à§â§Ý§à§à§Ô§Ú§Û§ß §­§ç§Ñ§Ô§Ó§Ñ§ã§å§â§ï§ß
67¡Ø§´§â§å§Õ§í §° §®§°§¯§¤§°§­§ª§ª §ª §Õ§Ý§ñ §®§°§¯§¤§°§­§ª§ª §´§à§Þ 2¡Ù²£Àî¸ø»Ò, ºû¸¶Î¼ÆóÊÔ
68¡Ø¥â¥Î¤Ë¸«¤ëÀ¸³èʸ²½¤È¤½¤Î»þÂå¤Ë´Ø¤¹¤ë¸¦µæ: ¡½¹ñΩ̱²³ØÇîʪ´Û½ê¢¤ÎÂ缤·¤²¥³¥ì¥¯¥·¥ç¥ó¤òÄ̤·¤Æ¡½¡Ù²£Àî¸ø»Ò, ºû¸¶Î¼ÆóÊÔ
69¡Ø¥°¥í¡¼¥Ð¥ë²½¤È´Ú¹ñ¼Ò²ñ¡½¤½¤ÎÆâ¤È³°¡ÙÄ«ÁÒÉÒÉ×, ²¬ÅĹÀ¼ùÊÔ
70¡Ø¥Ù¥È¥Ê¥à¤Î¹õ¥¿¥¤¼óÎΰ첤ηÏÉèʸ½ñ¡Ù³ß±Ê¿¿º´É×, ¥«¥à¡¦¥Á¥ç¥ó
71¡Ø¥â¥ó¥´¥ë¹ñ¤Ë¤ª¤±¤ë20À¤µª¡Ê2¡Ë: ¼Ò²ñ¼çµÁ¤òÆ®¤Ã¤¿¿Í¤Ó¤È¤Î¾Ú¸À¡Ù¾®Ä¹Ã«Í­µªÊÔ
72¡Ø£Ø£Ø §Ù§å§å§ß§í §®§à§ß§Ô§à§Ý§é§å§å§Õ (2)¡Ù§â§Ö§Õ§Ñ§Ü§ä§à§â §ª. §­§ç§Ñ§Ô§Ó§Ñ§ãү§â§ï§ß, §¬§à§ß§Ñ§Ô§Ñ§ñ §À§Ü§Ú
73¡Ø¹ñΩ̱²³ØÇîʪ´Û¸¦µæ¥Õ¥©¡¼¥é¥à: 2004ǯ¥¤¥ó¥ÉÍÎÃÏ¿ÌÄÅÇȺҳ²: ÈïºÒÃϤθ½¾õ¤ÈÉü¶½¤Ø¤Î²ÝÂê¡ÙÎÓ·®ÃËÊÔ
74¡Ø§´§â§å§Õ§í §à §®§à§ß§Ô§à§Ý§Ú§Ú §Ú §Õ§Ý§ñ §®§à§ß§Ô§à§Ý§Ú§Ú §´§à§Þ 3 (§é§Ñ§ã§ä§î 1)¡Ù§¡.§¥. §³§Ú§Þ§å§Ü§à§Ó ; §ã§à§ã§ä§Ñ§Ó§Ú§ä§Ö§Ý§Ú §À§Ü§Ú §¬§à§ß§Ñ§Ô§Ñ§ñ, §³§Ñ§ß§Ø§Ñ§Ñ§ã§å§â§ï§ß§Ô§Ú§Û§ß §¢§Ñ§ñ§â§Ñ§Ñ, §ª§é§Ú§ß§ç§à§â§Ý§à§à§Ô§Ú§Û§ß §­§ç§Ñ§Ô§Ó§Ñ§ã§å§â§ï§ß
75¡Ø§´§â§å§Õ§í §à §®§à§ß§Ô§à§Ý§Ú§Ú §Ú §Õ§Ý§ñ §®§à§ß§Ô§à§Ý§Ú§Ú §´§à§Þ 3 (§é§Ñ§ã§ä§î 2)¡Ù§¡.§¥. §³§Ú§Þ§å§Ü§à§Ó ; §ã§à§ã§ä§Ñ§Ó§Ú§ä§Ö§Ý§Ú §À§Ü§Ú §¬§à§ß§Ñ§Ô§Ñ§ñ, §³§Ñ§ß§Ø§Ñ§Ñ§ã§å§â§ï§ß§Ô§Ú§Û§ß §¢§Ñ§ñ§â§Ñ§Ñ, §ª§é§Ú§ß§ç§à§â§Ý§à§à§Ô§Ú§Û§ß §­§ç§Ñ§Ô§Ó§Ñ§ã§å§â§ï§ß
76¡ØA Lexicon of Zhangzhung and Bonpo Terms: Bon Studies 11¡Ùcompiled by Pasar Tsultrim Tenzin et al.
77¡ØTransnational Migration in East Asia¡ÝJapan in a Comparative Focus¡Ùedited by Shinji Yamashita et al.
78¡Ø¥Ý¥¹¥È¼Ò²ñ¼çµÁ¿ÍÎà³Ø¤Î¼ÍÄø¤ÈÌò³ä¡Ù¹âÁÒ¹À¼ù, º´¡¹ÌÚ»ËϺÊÔ
79¡ØA Lexicon of the rGyalrong bTsanlha Dialect: ¡ÝrGyalrong-Chinese-Tibetan-English¡ÙbTsan lha Ngag dbang Tshul khrims
80¡Ø¥¹¥È¥ê¡¼¥È¤Î¿ÍÎà³Ø: ¾å´¬¡Ù´Øº¬¹¯ÀµÊÔ
81¡Ø¥¹¥È¥ê¡¼¥È¤Î¿ÍÎà³Ø: ²¼´¬¡Ù´Øº¬¹¯ÀµÊÔ
82¡ØÅÏòí¡Ê¥ï¥¿¥ê¥¬¥é¥¹¡Ë¤Î¥¢¡¼¥Á¡Ê1903-2002¡Ë: ¥¸¥§¥µ¥Ã¥×ËÌÂÀÊ¿ÍÎÄ´ºº¤òÄɻ¾Ú¤¹¤ë¡ÙëËÜ°ìÇ·, °æ¾å¹É°ìÊÔ
83¡Ø°Ü̱¤È¤È¤â¤ËÊѤï¤ëÃÏ°è¤È¹ñ²È¡Ù¾±»ÊÇî»ËÊÔ
84¡Ø¥É¥á¥¹¥Æ¥£¥±¡¼¥·¥ç¥ó ¡½¤½¤Î̱²À¸Êª³ØŪ¸¦µæ¡½¡Ù»³ËܵªÉ×ÊÔ
85¡Ø·ò¹¯¡¦°åÎÅ¡¦¿ÈÂΡ¦À¸¿£¤Ë´Ø¤¹¤ë°åÎÅ¿ÍÎà³Ø¤Î±þÍѳØŪ¸¦µæ¡ÙÇÈÊ¿·ÃÈþ»ÒÊÔ
86¡ØÇßܪÃéÉ×ÃøºîÌÜÏ¿¡Ê1934-2008¡Ë¡ÙÇßܪÃéÉ×, µÚÀʸ, ¾¾¸¶Àµµ£ÊÔ
87¡ØPalauan Children under Japanese Rule: Their Oral Histories¡ÙMaki Mita
88¡Ø§¡§ß§ß§à§ä¡¥ §Ü§Ñ§ä§Ñ§Ý§à§Ô §Ñ§â§ç§Ú§Ó§ß§í§ç §Þ§Ñ§ä§Ö§â§Ú§Ñ§Ý§à§Ó §á§à §Ò§å§â§ñ§ä§ã§Ü§à§Þ§å §ê§Ñ§Þ§Ñ§ß§Ú§Ù¡Ù§Ñ§Ó§ä§à§â-§ã§à§ã§ä§Ñ§Ó§Ú§ä§Ö§Ý§î, §°§Ý§î§Ô§Ñ §¡. §º§Ñ§Ô§Ý§Ñ§ß§à§Ó§Ñ ; §â§Ö§Õ§Ñ§Ü§ä§à§â, §À§Ü§Ú §¬§à§ß§Ñ§Ô§Ñ§ñ
89¡ØÅÚÊýµ×¸ùÆüµ­ I¡ÙÅÚÊýµ×¸ù ; ¿ÜÆ£·ò°ì, À¶¿åµ×É×ÊÔ
90¡Ø¿ÍÎà³ØŪÈæ³ÓºÆ¹Í¡Ù½Ð¸ýðý, »°ÈøÌ­ÊÔ
91¡Ø§°§¥§ª§¯ §¯§¡§²§°§¥ : §´§²§ª §³§µ§¥§¾§¢§½¡Ù§®.§£. §®§à§ß§Ô§å§ê
92¡Ø§´§µ§£§¡ §£§¦§¬ §³§±§µ§³§´§Á §±§°§³§­§¦ §¬§Ñ§â§â§å§ä§Ö§â§ã§Ñ §Ú §®§Ö§ß§ç§Ö§ß-§·§Ö§Ý§î§æ§Ö§ß§Ñ¡Ù§®.§£. §®§à§ß§Ô§å§ê
93¡ØUne version rgyalrong de l¡Çépopée de Gesar Gyarong Studies 1¡ÙGuillaume Jacques, Chen Zhen ; edited by Yasuhiko Nagano
94¡ØÅÚÊýµ×¸ùÆüµ­­¶¡ÙÅÚÊýµ×¸ù ; ¿ÜÆ£·ò°ì, À¶¿åµ×É×ÊÔ
95¡ØBonpo Thangkas from Rebkong (Bon Studies 13)¡Ùedited by Bon brgya dge legs lhun grub rgya mtsho et al.
96¡ØSocialist Devotees and Dissenters: Three Twentieth-Century Mongolian Leaders¡Ùinterviews conducted by Yuki Konagaya and I. Lkhagvasuren ; translated by Mary Rossabi ; edited and compiled by Morris Rossabi
97¡Ø³¤ÍδĶ­ÊÝÁ´¤Î¿ÍÎà³Ø¡½±è´ß¿å°èÍøÍѤȹñºÝ¼Ò²ñ¡Ù¾¾ËÜÇîÇ·ÊÔ
98¡Ø§´Ө§£§¥-§®§°§¯§¤§°§­ §ª§· §´§°§­§¾ §¢§ª§¹§ª§¤¡Ùedited by Urianhai L. Terbish, Urianhai T. Chuluun-Erdene
99¡ØResearch Notes on the Zhangzhung Language by Frederick W. Thomas at the British Library (Bon Studies 14) (¡Ùedited by Tsuguhito Takeuchi, Burkhard Quessel, Yasuhiko Nagano
100¡ØÅÚÊýµ×¸ùÆüµ­­·¡ÙÅÚÊýµ×¸ù ; ¿ÜÆ£·ò°ì, À¶¿åµ×É×ÊÔ
101¡ØAltai Uriankhains Historical and Ethnographical Investigation Late XIX - Early XX centuries¡ÙIchinkhorloo Lkhagvasuren
102¡Ø¡Ö¾ã³²¤Î¤Ê¤¤¼Ò²ñ¡×¤Ë¤à¤±¤Æ ¡½ ¥¦¥§¥ë¥Ó¡¼¥¤¥ó¥°¤Ø¤ÎÌ䤤¤È¥Î¡¼¥Þ¥é¥¤¥¼¡¼¥·¥ç¥ó¤Î¼ÂÁ© ¡½¡ÙÎëÌÚ¼·ÈþÊÔ
103¡Ø¥Þ¥À¥¬¥¹¥«¥ëÃÏ°èʸ²½¤ÎÆ°ÂÖ¡ÙÈÓÅÄÂîÊÔ
104¡ØÅ쥢¥¸¥¢¤Î̱²¥¤¥á¡¼¥¸ ¡½ Á°¶áÂå¤Ë¤ª¤±¤ëǧ¼±¤ÈÁê¸ßºîÍÑ¡½¡ÙÌîÎÓ¸ü»ÖÊÔ
105¡ØBuddhist Fire Ritual in Japan¡ÙMadhavi Kolhatkar, Musashi Tachikawa
106¡Ø¾ðÊó²½»þÂå¤Î¥í¡¼¥«¥ë¡¦¥³¥ß¥å¥Ë¥Æ¥£ ¡½ICT¤ò³èÍѤ·¤¿ÃÏ°è¥Í¥Ã¥È¥ï¡¼¥¯¤Î¹½ÃÛ¡Ù¿ùËÜÀ±»ÒÊÔ
107¡ØA Herder, a Trader, and a Lawyer: Three Twentieth-Century Mongolian Leaders¡Ùinterviews conducted by Yuki Konagaya and I. Lkhagvasuren ; translated by Mary Rossabi ; edited and introduced by Morris Rossabi
108¡ØÅÚÊýµ×¸ùÆüµ­¡¡­¸¡ÙÅÚÊýµ×¸ù ; ¿ÜÆ£·ò°ì, À¶¿åµ×É×ÊÔ
109¡ØÀ¾ÆîÃæ¹ñ¾¯¿ô̱²¤Î ʸ²½»ñ¸»¤Î¡È¤¤¤Þ¡É¡ÙÄÍÅÄÀ¿Ç·ÊÔ
110¡Ø¥â¥ó¥´¥ë¹ñ±ÄÇÀ¾ì»ñÎÁ½¸¡Ù¾®Ä¹Ã«Í­µª, S. ¥Á¥ç¥í¡¼¥ó¶¦
111¡ØÇßܪÃéÉפΥâ¥ó¥´¥ëÄ´ºº¥¹¥±¥Ã¥Á¸¶²è½¸¡ÙÇßܪÃéÉ× ; ¾®Ä¹Ã«Í­µª, ËÙÅĤ¢¤æ¤ßÊÔ
112¡ØDevelopment Trajectories for Mongolian Women in and after Transition¡Ùedited by Yuki Konagaya, Maqsooda S. Sarfi
113¡Ø§®§à§ß§Ô§à§Ý§í§ß §¢§å§â§ç§Ñ§ß§í §º§Ñ§ê§ß§í §³§à§×§Ý: §·§ï§ß§ä§Ú§Û, §·§Ñ§ß§Ô§Ñ§Û§ß §³ү§Þ, §·§Ú§Û§Õ§Ú§Û§ß¡Ù§®.§ª. §¬§Ý§ñ§Ô§Ú§ß§Ñ-§¬§à§ß§Õ§â§Ñ§ä§î§Ö§Ó§Ñ ; §ç§ï§Ó§Ý§ï§Ý§Õ §Ò§ï§Ý§ä§Ô§ï§Ø, §ç§ñ§ß§Ñ§ã§Ñ§ß §³. §¹§å§Ý§å§å§ß, §´.§ª. §À§ã§å§á§à§Ó§Ñ
114¡Ø¥â¥ó¥´¥ë¸ýƬÅÁ¾µ¤Î°ì»ñÎÁ ¡½ ¥â¥ó¥´¥ë¹ñ¥Û¥Ö¥É¸©¥È¥ë¥°¡¼¥É¤Î¥Î¡¼¥¹¥¿¥¤»á¤Î¸ì¤ê¡Ù¾®Ä¹Ã«Í­µª, »Û¶×ÊÔ
115¡Ø¥â¥ó¥´¥ë¹ñ¤Ë¤ª¤±¤ë20À¤µª¡Ê3¡Ë¡Ù¾®Ä¹Ã«Í­µª¤Û¤«ÊÔ
116¡ØÃæ¹ñî¿伦½Õ语Êý¸À¸¦µæ ¡Ù韩Í­Êö, ÌÒ½Ê贤
117¡ØÃæ±û¥¢¥ó¥Ç¥¹ÇÀ¹Ìʸ²½ÏÀ : ¤È¤¯¤Ë¹âÃÏÉô¤òÃæ¿´¤È¤·¤Æ ¡Ù»³ËܵªÉ×
118¡ØÀ¤³¦¤Ë¤ª¤±¤ë̵¹ñÀҼԤο͸¢¤È»Ù±ç : ÆüËܤβÝÂê : ¹ñºÝ¸¦µæ½¸²ñµ­Ï¿ ¡ÙÄÄÅ·¼¥ÊÔ
119¡Ø20À¤µª¤Ë¤ª¤±¤ë¥Ö¥ê¥ä¡¼¥È¿Í¤¿¤Á : Ãæ¹ñÆâ¥â¥ó¥´¥ë¼«¼£¶è¥Õ¥ë¥ó¥Ü¥¤¥ë¤Ë¤ª¤±¤ë¸ý½Ò»Ë ¡Ù¾®Ä¹Ã«Í­µª¤Û¤«ÊÔ
120¡ØHealing alternatives : care and education as a cultural lifestyle ¡ÙNanami Suzuki(ed.)
121¡ØMongolia's transition from socialism to capitalism : four views ¡ÙMorris Rossabi(ed.)
122¡ØÇßܪÃéÉפΥâ¥ó¥´¥ëÄ´ºº¥í¡¼¥Þ»ú¥«¡¼¥É½¸ ¡Ù¾®Ä¹Ã«Í­µªÊÔ
123¡Ø§¯§Ö§Ü§à§ä§à§â§í§Ö §Ñ§â§ç§Ö§à§Ý§à§Ô§Ú§é§Ö§ã§Ü§Ú§Ö §ß§Ñ§ç§à§Õ§Ü§Ú §®§à§ß§Ô§à§Ý§à-§ã§à§Ó§Ö§ä§ã§Ü§à§Û §ï§Ü§ã§á§Ö§Õ§Ú§è§Ú§Ú §á§à§Õ §â§å§Ü§à§Ó§à§Õ§ã§ä§Ó§à§Þ §³.§£. §¬§Ú§ã§Ö§Ý§Ö§Ó§Ñ : §Ô§à§â§à§Õ§Ú§ë§Ö §¬§Ñ§â§Ñ§Ü§à§â§å§Þ, §Ü§à§Ý§Ý§Ö§Ü§è§Ú§ñ §¤§à§ã§å§Õ§Ñ§â§ã§ä§Ó§Ö§ß§ß§à§Ô§à §¿§â§Þ§Ú§ä§Ñ§Ø§Ñ ¡Ù§â§Ö§Õ§Ñ§Ü§ä§à§â¤Û¤«
124
125¡ØInternational Research Meeting on Museology in Myanmar : Asian museums and museology 2013¡ÙNaoko Sonoda(eds.)
126¡Ø¥Ð¥¦¥£¥Ê¥ó¥¬¡¦¥¢¥Ü¥ê¥¸¥Ê¥ëÁȹç¤ÎµÄ»öÏ¿(1978¡Á1994)¤«¤é¸«¤ëÂÐ¥¢¥Ü¥ê¥¸¥ËÀ¯ºö¤È¥¤¥ó¥Õ¥éÀ°È÷¤ÎÎò»Ë : ¥Þ¥Ë¥ó¥°¥ê¥À¤È¼þÊÕ¥¢¥¦¥È¥¹¥Æ¡¼¥·¥ç¥ó¤Î³èÆ°»Ë ¡Ùµ×ÊÝÀµÉÒ¡¦ËÙ¹¾ÊÝÈÏÊÔ
127¡Ø¶áÂå¼Ò²ñ¤Ë¤ª¤±¤ë»ØƳ¼Ô¿òÇҤνôÁê ¡Ù´ÚÉÒÊÔ
128¡Ø§¬§å§Ý§î§ä§å§â§ß§à§Ö §ß§Ñ§ã§Ý§Ö§Õ§Ú§Ö §Ò§å§â§ñ§ä, §ï§Ó§Ö§ß§Ü§à§Ó §Ú §ã§Ö§Þ§Ö§Û§ã§Ü§Ú§ç : §á§â§Ö§Õ§Þ§Ö§ä§í §Þ§Ñ§ä§Ö§â§Ú§Ñ§Ý§î§ß§à§Û §Ú §Õ§å§ç§à§Ó§ß§à§Û §Ü§å§Ý§î§ä§å§â§í §Ú§Ù §Ü§à§Ý§Ý§Ö§Ü§è§Ú§Û §¿§ä§ß§à§Ô§â§Ñ§æ§Ú§é§Ö§ã§Ü§à§Ô§à §Þ§å§Ù§Ö§ñ §ß§Ñ§â§à§Õ§à§Ó §©§Ñ§Ò§Ñ§Û§Ü§Ñ§Ý§î§ñ (§²§Ö§ã§á§å§Ò§Ý§Ú§Ü§Ñ §¢§å§â§ñ§ä§Ú§ñ, §²§à§ã§ã§Ú§ñ) ¡ÙShaglanova Olga A(eds.)
129¡ØInternational Workshop on Asian Museums and Museology in Thailand : Asian museums and museology 2014¡ÙNaoko Sonoda(eds.)
130¡ØÇßܪÃéÉפÎÆâ¥â¥ó¥´¥ëÄ´ºº¤ò¸¡¾Ú¤¹¤ë ¡ÙÕ±¿Î³ÊÆüðÕÊÔ
131¡Ø¥«¥Ê¥ÀÀ轻̱·Ý½Ñ¤ÎÎò»ËŪŸ³«¤È¸½ÂåŪ²ÝÂê : ¹ñΩ̱²³ØÇîʪ´Û½ê¢¤Î¥¤¥Ì¥¤¥Ã¥È¤ª¤è¤ÓËÌÀ¾³¤´ßÀ轻̱¤ÎÈDz襳¥ì¥¯¥·¥ç¥ó¤ò¤È¤ª¤·¤Æ ¡Ùã·Æ£Îè»ÒÊÔ
132¡Ø´ÄËÌÂÀÊ¿ÍÎÃÏ°è¤ÎÀ轻̱ʸ²½ ¡Ù´ß¾å¿­·¼ÊÔ
133¡ØAn audiovisual exploration of Philippine music : the historical contribution of Robert Garfias ¡ÙTerada Yoshitaka(ed.)
134¡ØÆéÂô¸µÂ¢¥Î¡¼¥È¤Î¸¦µæ : ¹ñΩ̱²³ØÇîʪ´Û½ê¢ ¡ÙÃæÀî͵¡¦±óÆ£»ÖÊÝÊÔ
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